90% Footnote

"Footnote" starts with Professor Uriel Shkolnik(Lior Ashkenazi) being honored for his work in Talmudic research while his father, Professor Eliezer Shkolnik(Shlomo Bar-Aba), suffers through the evening in silence before declining a ride home. In fact, Eliezer is literally a footnote to history with his decades of research being pushed to the side in favor of a lucky break by a rival. But one day on his daily walk to the National Library, he is notified that he has won the prestigious Israel Prize. Everything would now be fine except for one little detail... "Footnote" is a wry examination of the nature of identity and how very tenuous it all is. Take for instance, Eliezer, who was robbed by fate of everything that he is and ever could be. That same potential is fully brought to fruition by his son Uriel. While his father is nothing but bitter, Uriel acts like a mensch throughout.(I have heard of daddy issues but kiddy issues?) It might come as a surprise that something as petty as a prize could change everything, including their interactions with security personnel, but in their insular world, this is huge.(Uriel's losing/having his clothes stolen in the locker room could also be part of this world shift.) So, while the movie fares well intellectually in its Introduction/Conflict/Resolution structure and a sudden ending that actually comes at just the right place, it does not connect as well on an emotional level.

April 9, 2012

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